The Book of Secrets: Woodcuts Displaying Symbols and Illustrations of Alchemical Processes, France c. 1656 via The Beinecke Rare Book and Manuscript Library
(via bookporn)
The Book of Secrets: Woodcuts Displaying Symbols and Illustrations of Alchemical Processes, France c. 1656 via The Beinecke Rare Book and Manuscript Library
(via bookporn)
No one likes a tourist.
But no one else wants to pick up the dirty business of looking.
Whenever we arrive somewhere, we look around, we take it all in. First the big picture, the buildings, the sign-boards, the logos, the curb of a street as it vanishes around a corner. Then the details. Then the people. We try to understand.
As we slowly get absorbed into our surroundings, as our time turns into numbers in between black leather covers, so do our surroundings turn into cardboard scenery. As we become part of a place, we stop seeing it, except in those strange hours that are on neither page, on the walk back home with heels dangling from your hand, on the bus stranded in the midsection of a parade.
Is there a surreptitious time, when we grow out of being the tourist, but before we become the gargoyles ourselves, when we truly understand a place?
Roxane Gay, author, essayist, editor (at Pank, The Rumpus and Bluestem), and professor, has picked 10 of her favourite essays for us. As she rightly says, “their excellence speaks for itself”:
Morbid Monday: Mummified Charms and Amulets of the Lovett Collection.
Displayed for the first time to the public in 1917, the mummified heart was once the property of Edward Lovett, an eccentric British erudite and wealthy chief cashier in the bank of the City of London who, in his spare time, was the most relentless archivist of his era. A member of the Folklore Society since 1900, Lovett had one very unusual obsession: once off work, he would spend his free time strolling through the slums of Edwardian London to collect evidence of magic and medicinal practices, vernacular beliefs that the century of industrialization and rational sciences hadn’t eliminated. From his urban explorations, conversation with street sellers, sailors, and working classes witches, Lovett accumulated an astonishing array of charms, an incredible collection of odds and ends that proved superstitions were an invisible, yet persistent, practice, even in modern England.
Read more about the magic relics of modern England here !
Awesome!
(via ljspillowbook)
Woman’s domestic semi-formal coat.
Chinese (Han), Qing dynasty, late 19th century. China. Silk damask embroidered with couched gold and silver wrapped thread and silk floss, applied silk ribbon.Han woman’s domestic semi-formal coat (ao) in lavender silk damask with woven designs of narcissus and peaches; neck, front, hem and sleeves edged with blue silk satin ribbon with peaches embroidered in gold couching and black silk satin ribbon with peonies, butterflies and phoenix; right side front closing with blue silk loops and knotted buttons. | MFA
(via fuckyeahchinesemyths)
I’m probably going to lose followers for saying this, but I honestly don’t care, because if we don’t agree on this point then you’re probably in the wrong place to begin with.
Fandom artists and writers don’t owe you a damned thing. We create fanworks because we want to….
Käthe Kollwitz — Gedenkblatt für Karl Liebknecht (1920). Woodcut.
Karl Liebknecht (13 August 1871, Leipzig, Saxony, Germany – 15 January 1919, Berlin, Germany) was a German socialist and a co-founder with Rosa Luxemburg of the Spartacist League and the Communist Party of Germany. He is best known for his opposition to World War I in the Reichstag and his role in the Spartacist uprising of 1919. The uprising was crushed by the social democrat government and the Freikorps (paramilitary units formed of World War I veterans). Liebknecht and Luxemburg were murdered.
After their deaths, Karl Liebknecht and Rosa Luxemburg became martyrs for Marxists. According to the Federal Office for the Protection of the Constitution, commemoration of Liebknecht and Luxemburg continues to play an important role among the German far-left.
pinkuwapinku | non-westernhistoricalfashion:
Fragment of a Headdress with Kingfisher inlay
late 17th–early 18th century (Qing Dynasty)
China
(via chineseart)